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Any creative energy seemed to have finally ebbed away by 1992, however, and Critters 4 was cobbled together using bits of footage from earlier entries, and curiously, from the 1982 space oddity, Android.
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Admittedly, the furry little fiends at the heart of the Critters movies were from space in the first instance, so it sort of made sense to send them back there for this fourth and final entry. Space – where ageing horror franchises go to die. With apologies exchanged, the sad-eyed alien repairs the survivors’ ship and helps them fly home. It turns out the monster that’s killed all but two of the ship’s crew isn’t evil at all, merely a frightened alien called Gar who’s frightened of humans – an idea JJ Abrams may have borrowed for Super 8. The spaceship miniature effects are passable enough for a film of this calibre, but the acting and script is shockingly amateurish there’s one character who seems to spend the entire film trying to find which fellow crewmember made something called a chicken pot pie, while another tries to identify the “slimy substance all over Sheri’s pants”.įor sheer absurdity, nothing can top Star Crystal’s delicious conclusion. Some of the most somnambulant actors ever to stagger in front of a camera find a buried egg on Mars and, ignoring all the obvious dangers presented in earlier sci-fi movies, take the thing back to their ship.Ī weird crystal and a monster emerge from the egg, and the latter begins offing the crew in great splurges of ketchup and prosthetic effects. Sharp-eared viewers, meanwhile, may spot some special effects borrowed from another influential sci-fi masterpiece in the trailer below…Ĭompared to Star Crystal, Creature was 2001: A Space Odyssey.
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Mind you, the concept of having an entity that controls corpses manages to predate the Dead Space videogame series (though probably just borrowed the concept from The Thing), and some of the special effects are quite good. Relatively classy by the standards of the films listed so far, Creature is nevertheless another Alien rip-off, with several almost identical shots, the usual crew-versus-monster scenario, and even a tagline which laughably references Ridley Scott’s masterpiece (“In space, man is just another butterfly!”).
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If anything, Forbidden World (also known as Mutant) is even more low-budget and grungy than its predecessor, though it does conclude with an extraordinarily icky, bad-taste monster death sequence which has to be seen to be believed.Īlso known as Titan Find, Creature came courtesy of horror director William Malone, the chap behind Scared To Death (1981), FearDotCom (1992) and House On Haunted Hill (1999). On a distant planet, scientists create an experimental organism that soon begins to kill its creators in bloody fashion. Roger Corman followed up Galaxy Of Terror with another sleazy outer space horror, which reused some of the sets from that earlier film. All kinds of gory and graphic deaths occur (including one infamous sequence with a giant worm, which was cut by the BBFC for many years), leading up to an extremely odd twist ending. It’s also worth watching for its cast, which includes Robert Englund and horror favourite Sid Haig. Having sank without trace when initially released, Galaxy Of Terror’s batty charm has seen its fame grow over the years. A film of quite surreal creativity, Galaxy Of Terror sees a particularly strange group of space voyagers crash on a planet that manifests its visitors’ worst nightmares. Critics were scornful, but Inseminoid gained a minor cult following on VHS – in part, perhaps, because it was quite amusing to see Alexis Sable Colby out of Dynasty (Stephanie Beacham) getting into brutally realistic fights like this:Īnother cheap post-Alien sci-fi horror with a strong cult following, Galaxy Of Terror features an early billing from a young James Cameron, who’d previously worked on another Roger Corman-produced flick, Battle Beyond The Stars.
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If it sounds tawdry, that’s because it is. A dozen scientists arrive on a desolate planet, find evidence of a long-dead society, which somehow begins to exert a strange control over the visitors, who all start murdering each other and injuring themselves in cheaply imaginative ways.Īctress Judy Gleeson is then impregnated by an alien, and soon turns into a rampaging, apparently unstoppable mother to two rubbery extraterrestrial twins. Hastily cobbled together with a budget of a million quid, Inseminoid, as the schlocky title suggests, played up the sexual undertones of Alien but mislaid its class.